--MY HEART IS OPEN WIDE AND I AM ON YOUR SIDE
…This weekend I
read a lot of poetry and finished a few volumes, including “On the Spectrum of
Possible Deaths” by Lucia Perillo, which was one of the 100 Notable Books of
2012 as deemed so by The New York Times Book Review.
I had no idea
what she was trying to convey in almost every one of her poems. It was a smarter book than me, or else she
was just being clever to fool her readers.I dislike poetry that is so obscure, although hers wasn’t necessarily. It was very specific most times, but the larger points she was making always left me lost and confused.
My one big take away is that art is truly subjective, or that I don’t know how to decipher cryptic language, let alone enjoy it.
…Pete the eagle
has flown by a few times already. It’s
hard to tell if he’s a happy bird. He’s
pretty serious-looking. I just hope he’s
not too hungry. Being hungry sucks.
…Geese are a
paradox. I love watching them fly in a
V. I love watching a group of them on
land, because they really are picturesque.
However, I do not love them on my lawn destroying it. Whenever I see them on the grass, I scamper
from my desk downstairs to shoo them away.
Somehow, cute Lucy knows exactly what’s going on, or else she just
senses my ire, because she’ll charge after me barking (she almost never barks)
and will run out on the deck with me barking away (she’s pretty fierce for a
six pound Shorkie. actually she’s
anything but fierce.) The other bad part
about geese is they are mean animals.
Inevitably the group will gang up on a lone goose, snapping at his
wings. I guess bullies exist everywhere. I guess lots of people (and geese) think they’re
hella tougher than everyone else and need to prove it.
…Anne Elizabeth
did a little review of a story I wrote, four paragraphs down:
http://www.thereviewreview.net/reviews/lively-interchange-between-words-and-images
…One day a few
years ago I saw this elderly couple at Safeway.
I just pulled my cart to the side and watched them for a while. They were arthritic and hunched over, but
still looked very much in love and dependent on each other. Back at home that night, I looked across the
lake and wrote this story, which I’ve performed at a few readings:
Center and Fringe
I want you to lie to me.
I want you to pull my hair and
threaten to leave me again, tell me every soiled thing you loathe about me but,
later, do a paint-by-numbers watercolor on my chest, inserting a subliminal
message between the stripes of a rainbow.
I
want to cuddle with you on this bed of pine needles so scratchy we’d never be
able to sleep, the frosty air cold enough to make our noses bleed, dribbling
down our chins like scarlet fondue.
I want the taillights glowing
rat-eyed across the lake to be your eyes, fascinated by me on this winter’s
night. I want the cones of light
reflected on the wafting water to be a cloud that morphs in undulation so that
we can find new characters and objects in its wake, its center and fringe.
I want you to see what I see, the
people who own that light and the house where that light glows, the ones that
have been together since before the war against Germany. I saw them at Safeway yesterday. She was testing a melon with her gnarled
thumb while the brittle little guy manned the cart, hunched, grinning like a
very happy gnome.
I want our skins to spot and sag
together. I want us to molt and refute
what happened last weekend. I want
magical powers, the ability to make you stay put, to cause that car to miss
you, take a different corner, let you live.
I want to take it all back.
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