--FROM THE OUTSIDE PEOPLE LOOK GUILTY
…Well,
tonight’s another reading. I hope it
goes well. Sometimes I get so nervous I
slur my words, even if I’ve had nothing to drink.
Here
are two of the four things I’ll be reading:
Center and Fringe
I
want you to lie to me.
I want you to pull my
hair and threaten to leave me again, tell me every soiled thing you loathe
about me but, later, do a paint-by-numbers watercolor on my chest, inserting a
subliminal message between the stripes of a rainbow.
I
want to cuddle with you on this bed of pine needles so scratchy we’d never be
able to sleep, the frosty air cold enough to make our noses bleed, dribbling
down our chins like scarlet fondue.
I want the taillights
glowing rat-eyed across the lake to be your eyes, fascinated by me on this
winter’s night. I want the cones of
light reflected on the wafting water to be a cloud that morphs in undulation so
that we can find new characters and objects in its wake, its center and fringes.
I want you to see
what I see, the people who own that light and the house where that light glows,
the ones that have been together since before the war against Germany. I saw them at Safeway yesterday. She was testing a melon with her gnarled
thumb while the brittle little guy manned the cart, hunched, grinning like a
very happy gnome.
I want our skins to
spot and sag together. I want us to molt
and refute what happened last weekend. I
want magical powers, the ability to make you stay put, to cause that car to
miss you, take a different corner, let you live.
I want to take it all
back.
Ensemble
Just In Case
It doesn’t always happen the way they say
it does—some poor girl, sexually abused by her dad, becoming a prostitute. Sometimes you’re just industrious. Sometimes the men are actually kind, fatherly
or brotherly, preppy and toned with muscles, big-tippers, regulars who want to
talk more than touch. Sometimes it’s the
best gig around.
At least that’s what you tell yourself on a
suede-black night, staring out the motel window wondering where the moon is hiding. You tell yourself the man in the bathroom is
the prom king you worshipped from afar throughout high school. You give him blonde locks of hair and denim
blue eyes, teeth paper-white and straight as a picket fence. You name him Randy Jarvis.
And when this new Randy reappears you don’t
notice how his breath smells like Lysol, how his belly drags over the stump of
his penis, but you do check under the pillow where you always stash the shiv,
just in case.
You say, “What’ll it be?” You ask how much time he has tonight. You close your eyes while the rest happens
and picture that missing moon glowing radioactive, the biggest thing in the
universe, staring back at you like a bomb that can be dropped at any time.
An Unbroken Circle
You know the girl on the bed outside the
bathroom resembles your daughter, that’s why you picked her, but you don’t
think about it because thinking about it makes you queasy, a pervert of the worst
order, even though she’s a hooker and has probably already lain with half a
dozen men before the two of you ever walked through the motel door.
You just tried to urinate, but there was
nothing doing. This happens quite a bit
lately and it’s another thing--on the long laundry list of others--that
troubles you.
Your first prostitute was an Asian girl
named Suki. That was a lifetime ago, yet
you remember her well because the fake name reminded you of sushi, which you
loathe, and because she did this mewling act prior to fake-climaxing. After her, there were thousands more which is
why you work so hard, and after laboring so much to get ahead, you reward
yourself with a little fun. It’s an
unbroken circle.
Before coming out of the bathroom, you give
yourself a mental pep talk repeating positive affirmations: I am a
great lover. I do not ejaculate too
soon. I control what happens.
When you open the door, the girl fluffs
your pillow and props up on her elbows.
She’s chewing gum. She blows a
bubble the size of a light bulb until it pops, balloon-sticky on her nose. Chuckling, she again reminds you of your
daughter.
You turn off the lights. Through the sheer, piss-colored drapes the
sky is tar-black, no moon to light up anything.
You feel your way back to the bed like a blind man and then there’s skin
on skin and everything begins again.
Ignited
You don’t like memories. Recalling them is a slippery slope, a cord or
rope wrapped around your neck, drawing you back to the places and times that
ignited a bitter switch inside you. But
there are sirens going off in the city, not police cars screaming by, but fire
trucks, and you must be close to the actual fire because you can see smoke
twisting like black wraiths between two sky scrapers.
You remember how you’d become a fuse yourself, and once
you were lit there was no other way around it, strength you didn’t know you had
coiling with rampant rage, so instead of saying the words he wanted you to say
while he did it, one afternoon you told your father you would kill him, and you
were a lot of things, even back then, but a liar wasn’t one of them. That night as he lay slumped and passed out
in front of a blaring TV, you got a gas can and spritzed gasoline and dropped
your father’s lighter over a puddle.
Standing on the curb minutes later, you watched scarlet flames eat
everything. You stood until the house
and he were ash, not caring if the neighbors saw you watching, not caring about
the future or whether this was the last, selfish decision you’d ever get to
make.
Names
You pay the girl double because she
complied with everything you asked. She
says, “Hey, thanks, Bill,” even though your name isn’t Bill and she knows it’s
not Bill.
This triggers something and so you ask the
girl what her real name is. The way her
eyes stutter before she says, “Ashley” leads you believe she’s lying and this
enrages you, the lies, the fraud and phoniness.
You’re the John, but you’re not feeling hypocritical one bit—it’s just
fury swelling inside you.
You’ve never hit a hooker before, never hit
a girl or woman in your life, but Ashley won’t give up her real name, and so
you clock her on the chin. It happens
blink-fast, reflexively.
The girl goes wild, becoming a stallion suddenly. She calls you a bastard. Her hand leaps like a cobra out of her purse
and she swings a shiv an inch from your bloated belly.
You say you’re sorry, you don’t know what
got into you, hitting a girl isn’t something you’d ever do, honest.
She keeps her eyes—cobalt-blue eyes—on you
as she leaves. The door’s cracked
open. An old woman in a housecoat is
lumbering down the hall. She looks like
your mother, same spider web hair and cigarette-wrinkled lips. She looks up with a toothless grin and says,
“Wanna dance?”
Folly
You think about quitting for the thousandth
time. It’s folly, but you do it
anyway.
This always happens after a visit with a
bad John. Once an obese medical supply
salesman bit your shoulder so hard you had to have Holly, a now dead
prostitute, stitch you up with something that might have been fishing line and
the scar is usually the part of you, when naked, that customers find most
alluring.
You’ve started using again—no needles this
time—just huffing. It’s a way to make
the world flat and somewhat redeemable.
The pile of yellow powder looks like shredded drywall that someone’s
mixed with piss. You know this is
leading right back to mainlining, yet you’ve lost the will to resist an easy
release and lately your clients have had cruel streaks that show up out of
nowhere.
Ohhhh.
Ahhhh.
The burn is a torch scalding your nostril,
reaching all the way down your throat to your chest, slamming your heart with a
machete. The sensation is familiar yet
new all the same, like a twisted trick sprung on you by a crafty
client—vibrator and penis inserted in your ass together.
Before the high seals, you think about what
college life would be like, wearing a backpack, tramping through a campus with
many brick buildings, kids your own age, not damaged to any major extent, their
staid head nods and “Hi’s” plenty enough to make you feel vibrant and alive.
Next you think about a child you might have
had, maybe a girl named Maggie with your same dimpled chin, her seated at the
kitchen table coloring outside the lines of Ariel’s mermaid tail. When she asks, “Momma, why are there bad
people in the world?” you say, “It’s mostly bad men.” Maggie looks up, her
eyes blue as yours, saying, “But Daddy’s not bad.” You look over at your husband doing dishes in
the sink. He cocks his head like a
golden retriever—Huh? Am I a
bad guy? You laugh and laugh and
then the world goes pale yellow, becoming an endless rug that rolls you up in a
magic carpet and carries you off.