--I’M JUST HERE SO I DON’T HAVE TO PAY A
FINE
…Here are some thing I learned recently
that you may or may not already know:
-There were 500,000 Americans in prison
in 1980. Today there are 2.2 million.
-1 in 9 African American children has a
parent in prison.
-Someone’s identity is stolen every 2
seconds.
-Last year more than 400,000 books were
published in the U.S.
-During the first weekend of pro
football season, $27 million was spent on television advertising by the fantasy
football websites DraftKings and FanDuel.
-Currently, one in three California
homes is in danger of forest fires.
-14% of parents don’t think going to
college is a wise financial investment for their children.
…I had
someone say something really nice about me on their blog the other day:
"The Spaces in Between" by Len Kuntz
Len Kuntz could be one of the hardest
working writers I know. According to Connotation Press, he has published
more than 700 stories, in print and online. Awhile back, as the editor of a
certain local Vegas publication, I had the honor of receiving a submission from
him, a sad, beautiful story about a troubled boy, his nasty mother and
strawberry-picking. Of course, I published it. However, that magazine is long
gone, so I can't share it with you.
But I did find another tragic piece about a child suffering for all the
fucked-up adults around her. Here's "The Spaces in
Between" from Fwriction:
Review.
Love this? Want more? Kuntz recently published his first collection, The
Dark Sunshine.
The Spaces in Between
She
is nine, nine going on something else.
Already she has learned to be brave and observant, as well as the
correct way to unearth and bury.
She’d
never liked playthings, but still she bounces a Barbie on the sofa armrest,
humming, acting as if she’s studying the doll’s palms when really she’s looking
through the space in between Barbie’s perfect fingers where her mother is
splayed.
The
girl knows a little about narcotics and too much wine consumption, but these
are not issues for her mother. This is
something far more slippery and bleak.
The
girl wishes she were older and wise.
Adults have answers. For
instance, her aunt knows things, but she’s a shrug of the shoulders, a secret
keeper or just plain greedy.
“Why
don’t you sing a little softer,” her mother says, even though the girl is just
humming without using words to her made-up song. “And could you close the blinds?”
She
does as told, looks the sun in the eye first.
Men have walked on the moon. The
sun’s surface is too hot for those kinds of shenanigans, and still it is her
favorite thing that lives in the sky.
“Momma,
can I tell you a story?”
“Only
if you speak in your quiet voice and don’t get all jumpy at the exciting
parts.”
Her
mother winces, reaching to the carpet, so the girl gets it for her, picking up
the damp dishrag and laying it across the woman’s forehead.
The
girl whispers, “In a grand castle somewhere near Ireland, there once lived a
damsel...”
Everything
is reversed. The girl knows how it’s
really supposed to work. Moms get their
kids up, make them breakfast, hustle them off to the school bus. Moms are strict but like lots of sunlight. They’re the ones that tell bedtime stories.
The
girl doesn’t mind. She has an
imagination that needs flexing, freedom to roam. As she narrates to her mother, the girl
pictures herself as a cement truck spewing golden tar, making a clean new road
that the two of them will walk on soon, arm in arm, escaping to a fun land,
like the yellow brick road leading to Oz.
Her
mother drifts to sleep.
The
girl’s dad is upstairs in his home office.
He is not a mean man, not at all.
He is quiet like snow and just as white.
It is hard for him to smile and sometimes she hears him sniffling when
she eavesdrops. She used to be angry
that he wasn’t stronger. Men are
supposed to be able to lift heavy weights and fix broken things.
She’s
not even half way through her story, or to the good part, when Aunt Sandy comes
over. The girl knows it’s her because she
taps on the door like a sock puppet might, soft little nudging sounds, before
just going ahead and letting herself in.
She breaks into a smile when she sees the girl, then the smile goes
jagged finding the girl’s mother on the sofa.
Aunt Sandy puts her praying hands to the side of her face, closes her
eyes and makes a sleeping motion. The
girl checks her mother, and nods to her aunt.
They
go into the kitchen, Aunt Sandy tiptoeing so her heels don’t click.
Aunt
Sandy hugs the girl, whispers her nickname, “Izzy, Izzy, Izzy.” She’d prefer her aunt use Elizabeth. Izzy is reserved for the girl’s mother and a
fleet of make-believe friends that she trusts.
Aunt
and Izzy sit at the round table with the silver siding and bruised-blue Formica
top. They have dark pink fruit punch in
clear glasses and Izzy imagines a cartoon fish zipping inside, burping at her
and chuckling.
Aunt
Sandy has a long goat face with chin whiskers.
She looks sad today. The girl
asks what’s wrong, but before she does, Izzy decides that if Aunt Sandy tells
the truth, then it will mean she really can trust the woman.
Aunt
Sandy shakes her head, the eyes flicking for an answer, and the girl looks at
her lap knowing it doesn’t matter now what answer’s given because it’ll just be
a lie, no different than the ones her father and the doctors tell.
Izzy’s
heard the word a thousand times. With each
utterance, though, one of the adults will introduce the term as if it’s thin
crystal or a hot cake out of the oven.
“Depression
isn’t forever, Izzy. Besides, there are
new medicines,” Aunt Sandy says. “Your
mom’s going to get better.”
Then
Auntie asks would Izzy like to come live with her for a while, hmm? She reaches across for the girl’s palms. Izzy lets her have them and thinks, “Cold hands,
warm heart,” but if that’s so, then the reverse must be true, and she snatches
her hands back.
“Hey!”
Aunt Sandy says.
Izzy
stands. She flings the pitcher, watches
the faded fuchsia fluid loop and curl before splashing her aunt.
She
runs to the sofa. “Momma, momma,” Izzy
says, shaking her mother, but whispering even so, “wake up. We have to go.”
Aunt
Sandy calls, “Peter! Peter!”
Peter,
Izzy’s father, bounds out of his room, his footfalls loud on the ceiling. And then he’s stomping down the stairs and
Aunt Sandy is pointing at Izzy even though she’s right there, just a few feet
away, and Auntie is screaming through her anger at being soaked. “…blouse cost two hundred dollars!”
Her
father can’t quiet Aunt Sandy and soon they’re both yelling and so is Izzy’s
mother, awake now and propped up on her elbows, and then Izzy’s mother shakes
Izzy’s grip off and shouts for everyone to stop, to shut up, the noise is too
loud, it will kill her if the noise doesn’t stop, it will, it will.
And
so they all go quiet. Izzy checks to be
sure her mother is serious, but the dishrag is pulled over her mother’s eyes.
Izzy
stands, biting her lip on the inside so they can’t see. She floats over to her aunt and says she’s sorry;
she has allowance and will pay for the ruined blouse. She doesn’t look at her father. She sticks out her hand and tells her aunt,
Sure, sure she would very much like to spend some time living at her house. When can they go?