--ALL MY FRIENDS ARE TURNING GREEN
I’ll Take You There
Behind the mad house, past barns and farms, into the
woods where a brook gurgles over cabochons, we escape, wading in barefoot. Sun glints off water sleeves, illuminating
our scars. I take your small hand. You suck a deep breath. “Don’t look back,” I say. The open field on the other side stares at us
like the great eye of a bank safe whose combination only we know.
Tombstone
Panic
my heart
like
acid rain
searing
holes through me.
Please?
No?
Then
at least feel my flesh,
how
hard it’s gotten,
chilled
like a tombstone.
It’s
absurd, really,
how
much
I
miss you.
These
Are the Times That Call For Murder
At
the party there are plate-throwers in your eyes. You’ve donned Obsession and wear a red dress.
You
never wear red.
I
watch you waltz between all those hairy-handed men with their lip-balmed bangs. They stink of nicotine and cinnamon Altoids but
you don’t bother, you only curtsy and giggle.
You
never giggle.
I
get sick in my napkin, stringy yellow stuff like a contaminated egg, and I
can’t help but think,
that
these are the times that call for murder.
The
guy you leave with looks like my Uncle Phil. He and Phil both have
hatchet-shaped sideburns and hands the size of catcher mitts. This guy puts his palm against the small of
your back where my hot breath has loitered in past years. Over his shoulder, he winks at a barman. This is the part where I storm across the
room and beat him bloody so that you can see how strong I’ve gotten without
you, but the truth is I’m kind of tipsy and it’s later than I thought. Besides, every movie has to end eventually, even
shitty ones like this.
You
Know I Know
The
man in the window
is
make believe.
The
wounds you have are self-inflected.
The
love you are trying to withhold
was
never yours to give.
Rage
Against
In the mornings I run miles before the
others wake, while the sun is just bending over to tie it’s laces, the air
thick like freezer air, and there is always this muzzled dog that greets me on
mile seven, tearing up ground and grass and gravel, batting the diamonds of a
sagging cyclone fence with his leather-gagged snout, hot snot slickening the
metal. I wonder what the owner has done
to make him so angry, ropy with wrath.
When I look back the animal has a new trick, pawing a path below the
fence. Muzzle or not, he’s going to get
his vengeance on.
Theater
When I hear of my wife kissing another
man and confront her, she says, “Tsk tsk.
You need to appreciate the distinction between art and life.”
“But you’re not an actress,” I say.
To wit she asks, “How can you be so
sure?”
Satiated
She says we should try role play. She purchases items and outfits. She diagrams scenes on oversized note
cards. She adds stick figure drawings
with different poses and the golf ball heads making unusual facial expressions,
their twig limbs gesturing to whatever it is the other is up to. She rehearses each scene, saying the lines to
herself, a bit thrilled and overjoyed with herself.
When it comes time to put in practice,
to test the waters, she yawns wide as a lion.
“I was only joking,” she says.
Then, “You sure are gullible.”
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